I've always drawn and painted what was in my head. Photography became the way to finally capture it — the camera takes what I see in my mind and holds it still in an image.

Dyslexia put obstacles on my path, but it also forced me to reach solutions in a completely different way, and it taught me to see the world differently. That way of seeing is at the centre of everything I make: a quiet reverence for the imperfections time leaves behind, for the slow, patient weight of shadows. Meditative melancholy — not sadness, but a calm recognition of the beauty that lives in aging corners, weathered surfaces, and everyday stillness.

Cars sit at the heart of my work. They're one of the most beautiful things we've made — metal and shape, freedom and power held in quiet control, the senses accelerating when you drive fast. I'm fascinated by how the components of an engine work together, and equally by what happens after: even machines rust, return to the earth, and are reborn. They carry memory too — childhood, road trips, belonging.

My style is journalistic and editorial. I shoot cars, coffee, and above all, people. Today I'm bringing that eye to photography & art direction.